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SweeneyArtGallery Podcasts. Vol 6 : Issue 2
Artist Talk: JEFF&GORDON
00:10:32
JEFF & GORDON are a collaborative team of artists who create videos and installations that explore social interactions. Jeff Foye and Gordon Winiemko create situations wherein an audience will reflect on their participatory role in the ever-changing cultural narrative.
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SweeneyArtGallery Podcasts. Vol 6 : Issue 1
Artist Talk: David Leapman
00:51:32
A set of large-scale paintings will be installed in such a way to merge into the Culver Center of the Arts architecture. Leapman’s paintings often make use of flourescent colors in working with a private language of abstract forms that are positioned against monochromatic grounds.
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SweeneyArtGallery Podcasts, Vol 6 : Issue 4.2
Post Pacific Standard Time: Jill Giegerich
00:37:27
This podcast features interview with artist Jill Giegerich discussing her work featured in Post Pacific Standard Time: Three Artists in Los Angeles from the 1980s on view February 4 - March 24, 2012.
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SweeneyArtGallery Podcasts, Vol 6 : Issue 4.1
Post Pacific Standard Time: Jim Isermann
00:43:12
This podcast features interview with artist Jim Isermann discussing his work featured in Post Pacific Standard Time: Three Artists in Los Angeles from the 1980s on view February 4 - March 24, 2012.
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SweeneyArtGallery Podcasts, Vol 6 : Issue 4
Post Pacific Standard Time: Erika Suderburg
00:48:19
This podcast features interview with artist Erika Suderburg discussing her work featured in Post Pacific Standard Time: Three Artists in Los Angeles from the 1980s on view February 4 - March 24, 2012.
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SweeneyArtGallery Podcasts, Vol 6 : Issue 3.2
The Great Picture: Artist Interviews
00:28:35
On the last day of “The Great Picture” exhibition, interviews were held with the artists from The Legacy Project collective discussing the making of “The Great Picture” in detail, along with engaging in a broader discussion about the use of analog and digital processes in photography.
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SweeneyArtGallery Podcasts, Vol 6 : Issue 3.1
The Great Picture: Panel Discussion
01:09:29
On the last day of “The Great Picture” exhibition, curator Tyler Stallings and artists from The Legacy Project collective discussing the making of “The Great Picture” in detail, along with engaging in a broader discussion about the use of analog and digital processes in photography.
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SweeneyArtGallery Podcasts, Vol 6 : Issue 3
The Great Picture: The World’s Largest Photograph
00:06:45
This video podcast features The Great Picture: The World’s Largest Photograph & The Legacy Project, an exhibition in three parts that tells the tale of the successful campaign to make the world’s largest camera and photograph.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.7
Undocumented: A Day of Discussion
01:23:13
Undocumented: A Day of Discussion will present a panel discussion, a performance, and two films as platforms for discussion about the status of undocumented students and workers in the U.S. The day is presented in conjunction with Margarita Cabrera: Pulso y Martillo (Pulse and Hammer) at UCR Sweeney Art Gallery.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.6
Artist Talk: Margarita Cabrera
00:45:27
In her first solo museum exhibition on the west coast, Margarita Cabrera: Pulso y Martillo (Pulse and Hammer) presents three bold, experimental new installation/performances, Pulse and Hammer, Mexico Abre la Boca, and Florezca Board of Directors: Performance. The impetus for them is Cabrera’s grand vision to create a corporation, Florezca, Inc., in which international investors including members of various immigrant communities are invited to
become shareholders protected by the legal status of a corporation.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.5
mydreamstory - Vanessa
00:30:05
“Vanessa” is a 20-year-old male college student who entered the United States from Mexico towards the end of elementary school. Vanessa’s family arrived in the country legally, but became undocumented when they overstayed their visas. Despite spending much of her life in the United States, Vanessa does not identify as “American,” particularly because of the hardships she and her family have endured because of their immigration status. In fact, she states, “The American dream […] it’s something that doesn’t exist for me.” In describing the hardships of being undocumented, Vanessa mentions that she is doing the best that she can, but because her situation is becoming increasingly difficult she is thinking about giving up and moving back to Mexico. She is frustrated and she is tired. In reflecting on how difficult living as an undocumented immigrant has been, Vanessa says simply, “I’m not living, I’m surviving.” Her difficulties have been compounded by the fact that she has not been able to reach out to others for fear of how they would react when learning about his immigration status. As Vanessa describes, “I go around showing a different face […] trying to scream for help.”
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.4
mydreamstory - Marisol
00:15:51
“Marisol” is a 20-year-old female college student who was forced to leave a University of California campus for a community college because of the difficulties of her immigration status. When asked if she somehow feels different because she is undocumented, she responds, “I feel with the same strength, with the same power, with the same ability as everybody else […] a social security number doesn’t define the worth of a person.” Marisol first learned about her immigration status when she was five. And while she makes the point that she does not let her immigration status define her, she acknowledges that coping with being undocumented has, at times, been difficult. In reflecting on her status, she says that she sometimes feels “impotent,” as she often “just waits for that moment where someone was going to tell me again, oh you know what, yeah that thing you want to do, well, you can’t do it because you don’t have a social.”
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.3
mydreamstory - Jonathan
00:23
“Jonathan” is a 30 year-old male. He came to the United States from Mexico when his family crossed the border at San Ysidro when he was nine. Jonathan vividly remembers his border crossing experience. “The coyote that was helping us,” as he recalls, “actually carried me across the five feet puddle of water [which marked the border], so you can’t say that I got wet crossing.” In reflecting back on this experience he remarks, “It wasn’t the best way to go to Disneyland.” Jonathan identifies himself as “American,” especially because, as he states, “I don’t think that I ever had the consciousness to consider myself as a Mexican.”
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.2
mydreamstory - Nick
00:24:33
“Nick” is a 26 year-old male. He was part of the initial cohort of undocumented students to benefit from California’s Assembly Bill 540, which allows undocumented students to attend California’s public colleges while paying in-state tuition. When asked if he identifies as “American,” Nick responds, “sometimes I don’t know if I do.” Despite being raised in the United States since the age of five and “growing up just like every other kid,” he began feeling less and less “American” as the difficulties of his immigration status mounted. Nick first learned about his immigration status when he was eight, around the time of California’s Proposition 187. Afraid for his well-being Nick’s mother made him aware that, in her words, he was “illegal.” At the time, he did not fully understand the implications of what this meant. It was not until the end of high school, when Jonathan started looking more intently towards his future, that he realized the extent of the obstacles posed by his status.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2.1
mydreamstory - Jonathan
00:22:26
“Jonathan” is an 18-year-old female college student who only recently learned about her immigration status. When asked if she identifies as being “American,” she responds, “I thought I was born here.” Jonathan recently learned about her immigration status when her mother told her that she could not get her driver license because she did not have her papers. In describing what it feels like to be undocumented, she states, “Being here undocumented, I feel like I’m being rejected from American society.” This feeling is compounded by her family dynamic. Jonathan, like many undocumented youth, is a member of a mixed-status family, meaning some of her relatives are documented while she is not. Her brother, who is a citizen, has gone so far as to call her a “beaner.”
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SweeneyArtGallery Podcasts, Vol 5 : Issue 2
mydreamstory - Jennifer
00:12:07
“Jennifer” is an 18-year-old female college student who came to the United States when she was one-year old. She identifies as being “American.” As she states in her interview, “I speak English better than Spanish,” and she continues, “I’ve never saluted any other flag or known any other history than U.S. history.” Jennifer first learned about her immigration status when she was eight, but it was not until she was fifteen that she understood that being undocumented meant that the same opportunities that are available to citizens are not available to her. While she acknowledges that her parents brought her here to better her life, and is grateful, she sometimes feels anger and resentment towards them, particularly when she is reminded of the constraints imposed by her immigration status.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1.7
Re:Cycle - Tyler Stallings in conversation with Simon Hughes
00:09:43
Simon Hughes' Bicycle, 2010, is a video installation built around a reel of 8mm film. The film shows a man, woman, adolescent boy, and a toddler in a wintry environment.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1.6
Re:Cycle - Tyler Stallings in conversation with Ashira Siegel
00:14:49
About five years ago a key member of Ashira Siegel's tight knit bicycle messenger community in NYC was hit and killed by a driver while riding his bicycle in Brooklyn. Her installation Moments of Silence, Stars into Skies, 2010, utilizes both hand made and collected things including bits of hand dyed papers, colored threads, photographs, sewn stars, and recycled bicycle parts to create a tribute to "Bronx Jon" and other fallen riders.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1.5
Re:Cycle - Tyler Stallings in conversation with Taco Tuesdays Bicycle
00:06:08
Taco Tuesdays Bicycle Club's The First 100 Rides, 2008-10, is a collection of spoke cards that represents what started out as a weekly Tuesday night ride as part of the Midnight Ridazz bicycle scene, but evolved into its own club.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1.4
Re:Cycle - Tyler Stallings in conversation with Lee Tusman
00:20:21
Lee Tusman straddles the bridge between the gallery/museum world and DIY street works and actions. Using cycling as his primary mode of transportation, Tusman uses lightweight junk digital and analog cameras to document objects, people and places along his routes. These images, here presented as Biketography, 2010, are presented in DIY handmade zines.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1.3
Re:Cycle - Tyler Stallings in conversation with Brian Sorrell
00:23:59
The Bicycle Lounge is a co-operative, community driven bicycle building and repair space. Experienced cyclists who are willing to share their experience, knowledge, and tools in a friendly, pressure-free environment run it.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1.2
Re:Cycle - Tyler Stallings in conversation with Diane Meyer
00:18:14
Diane Meyer's Without a Car in the World, 2008-09 consists of photographs and text from interviews with one hundred Los Angeles residents living without a car. Through the images and text from the interviews, the project addresses how car culture has shaped psychological, spatial and geographic perceptions of the city.
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SweeneyArtGallery Podcasts, Vol 5 : Issue 1
Re:Cycle - Tyler Stallings in conversation with Patrick Miller
00:14:07
Patrick Miller discusses Light Cycles and his performance Bicycle Bell Ensemble. Bicycle Bell Ensemble, 2010, is an open collective of bicycling artists, performers, and musicians who join with community members in creating rolling musical bicycle parades.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 5.6
Dry Immersion 3
00:42:53
On March 6th and 7th 2010, twenty-four artists from seven University of California campuses presented work based on an intensive immersion in the natural and cultural landscapes of southeastern California's upper Mojave and lower Sonoran deserts. Dry Immersion 3 was co-organized by UCR Sweeney Art Gallery and the University of California Institute for Research in the Arts.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 5.5
Tour of Marine Corps Air Ground Combat Center, Twentynine Palms, CA.
This video podcast features a tour of Marine Corps Air Ground Combat Center, Twentynine Palms, CA that included faux Iraq/Afghanistan towns training facilities, IED detection/disarmament center, and barracks facilities.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 5.4
Brett Stallbaum: Land-Based Digital Art and Cell Phone Mapping Project.
00:49:07
This video podcast features Brett Stallbaum presenting “Land-Based Digital Art and Cell Phone Mapping Project”. Tracing current GPS and GIS-based radical cartography work back to 20th century surrealism, Situationism and 1970's land art, this presentation introduces the open source HiperGps platform to produce individual and/or collaborative audio and geo-annotations and route-based narratives using dirt-cheap cell mobile hand-sets. The presentation was a part of Dry Immersion 2: Roving Symposium held on October 22, 2009 - October 25, 2009.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 5.3
Ken Ehrlich: Re-purposing Military Equipment in the Desert
This video podcast features Ken Ehrlich presenting “Re-purposing Military Equipment in the Desert” research on the re-purposing of artifacts, detritus and media in the context of the desert. The presentation was a part of Dry Immersion 2: Roving Symposium held on October 22, 2009 - October 25, 2009.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 5.2
Lisa Tucker and Deena Capparelli: Living Laboratory
00:29:56
This video podcast features Lisa Tucker and Deena Capparelli presenting “Living Laboratory” an exploration of alternative irrigation systems, desert flora, medicinal and edible plants and indigenous tribal plant lore in landscaping and civic land use. The presentation was a part of Dry Immersion 2: Roving Symposium held on October 22, 2009 - October 25, 2009.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 5.1
Claude Willey: H20 - Deserts and Water Manipulation in California
00:42:32
This video podcast features Claude Willey presenting 'H20 - Deserts and Water Manipulation in California'. The presentation was a part of Dry Immersion 2: Roving Symposium held on October 22, 2009 - October 25, 2009.
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SweeneyArtGallery Podcasts, Vol 4 : Issue 4
Intelligent Design: Curatorial Walk-Thru
00:17:07
This video podcast features Co-curators of Intelligent Design: Interspecies Art, gallery director, Tyler Stallings, and artist/independent curator, Rachel Mayeri. The Curatorial walk-thru of this provocative exhibition that explores collaborations between humans and animals, the first such show in the U.S.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 3.1
Uncovered: A Pageant of Hip Hop Masters
00:30:12
In Uncovered: A Pageant of Hip Hop Masters, life-sized versions of classic album covers will be built before your eyes as actors/dancers become Run DMC, Queen Latifah, LL Cool J, Salt and Pepa, even the Wu Tang Clan! Through movement, music and theater live actors, dancers, and a DJ will turn the gallery into a stage where the unbridled creativity of one the most distinctive American cultural movements in this generation takes flesh, stands up, and is recognized.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 3
Uncovered Gangster - Pageant of Hip Hop Masters
00:00:50
In Uncovered: A Pageant of Hip Hop Masters, life-sized versions of classic album covers will be built before your eyes as actors/dancers become Run DMC, Queen Latifah, LL Cool J, Salt and Pepa, even the Wu Tang Clan! Through movement, music and theater live actors, dancers, and a DJ will turn the gallery into a stage where the unbridled creativity of one the most distinctive American cultural movements in this generation takes flesh, stands up, and is recognized.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.9
UCR Dance Performance: Shape, Shake, and Moo
00:24:36
This podcast features a dance performance – “Shape, Shake, and Moo” that was held on May 7, 2009 during First Thursday Arts Walk. The Dance and Bodily Installations were choreographed and performed by graduate and undergraduate students from UCR’s Dance Department. For further information about undergraduate and graduate programs in Dance at UC Riverside, please visit www.dance.ucr.edu. For further information about UCR ARTSblock events and exhibitions, please visit www.artsblock.ucr.edu. And for further information about other arts events in the Riverside area, please visit inland.arts.com.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.8
Resonate/Obliterate I.E.: A Night of Queer Performance
00:09:50
Ron Athey’s work has significant, recurring themes: dissociative sparkle, self-obliteration, and incorruptible flesh, each played out upon the historic body, the queer body, the AIDS body, the body in the grip of ecstasy or sorrow of death. This evening centers on a performative dialogue with dancer/choreographer Julie Tolentino in which the artists, in essence, perform and archive each other in rituals of beauty and decay, abjection and ecstasy. Heather Cassils and Zackary Drucker frame Athey and Tolentino's performances with their own dialogue of embodiment.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.7
Ursula Rucker Live in Concert
00:02:34
Ursula Rucker is one of the architects of Philadelphia's poetic revisal. Drawing on influences from Black Arts Movement activist poet and icon Sonia Sanchez to Friday Kahlo, Zora Neal Hurston and even Prince, Rucker balances motherhood, activism and artistry with aplomb. With her rhythmic stories of struggle, she's confident, never preachy. Explaining her quest to rouse people from the dismal depths of the matrix and dish verse on subjects that society often keeps in the closet, she keeps it simple: "I am driven to deal with real issues. She's transfixed audiences from Tokyo to Capetown alongside the likes of Gil Scott-heron, Mos Def, Macy Gray, and the late Nina Simone.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.6
James Luna Live in Concert
00:03:28
Selected by the National Museum of the American Indian to participate in the 2005 Venice Biennale, James Luna is internationally recognized for his moving and critically engaged performances. One critic writes, "The rich reward of Luna's probing performance pieces is learning more about our own cultural perceptions, learning where the edges are, where the discomfort starts. His voice and imagery carry the gift that a good artist can bring - the enlarging of our conscience and the increased awareness of what it means to be human." Here, he expands into spoken word and music.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.5
Erica Edwards in conversation with Ursula Rucker
01:16:26
This podcast is the third in a series of conversations recorded between UCR Faculty and artists featured in a series of events celebrating artists who make their audiences into more than spectators. In this podcast Assistant Professor of English Erica R Edwards and Ursula Rucker discuss her performances in relationship to ethical space.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.4
Jennifer Doyle in conversation with Ron Athey
01:03:06
This podcast is the second in a series of conversations recorded between UCR Faculty and artists featured in a series of events celebrating artists who make their audiences into more than spectators. In this podcast Associate Professor of English Jennifer Doyle and Ron Athey expand on an artist talk held at UCR and explore his involvement in Christian Death and discuss his work in terms of confronting generosity in performance.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.3
Michelle Raheja in conversation with James Luna
51:37
This podcast is the first in a series of conversations recorded between UCR Faculty and artists featured in a series of events celebrating artists who make their audiences into more than spectators. In this podcast Assistant Professor of English Michelle Raheja and James Luna discuss his work since the Venice Biennale.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.2
The Future of Nations, Part 2
00:41:39
On view at UCR Sweeney Art Gallery from January 31, 2009 - March 28, 2009, Kyungmi Shin: Rich. This series has been created by guest curator Tyler Stallings as research for part two of The Future of Nations that will examine demographics, which will consist of a solo exhibition by Kyungmi Shin, and a group exhibition.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.12
Your Donations Do Our Work: Documentary
00:09:47
This video podcasts documentary highlights the exhibition and accompanying performances for Your Donations Do Our Work. Consisting of a new collaborative performance installation presented alongside the juxtaposition of past works, Suzanne Lacy and Andrea Bowers utilize clothing, fabric, simple public rituals, and community organizing to look at labor, class, race and gender. It is their first collaboration, and one that signals a re-engagement of younger generation with the legacy of a previous generation of feminist activists/artists.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.11
Artist Talk: Adia Millett discussing Living Beyond Our Means
00:05:56
Artist talk focusing on Adia Millett’s first new work since returning to Los Angeles from New York. Her past work has consisted of theatrically installed sculptures involving miniature structures, commonplace domestic objects, and dramatic lighting in which she explores our fears, homes, desires and politics. In this site-specific installation, she explores the illusions and charm of suburban freedom in a constructed life-size room, reminiscent of one found in a local Riverside home.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.10
Artist Talk: Kyungmi Shin discussing Rich
00:06:51
Artist talk focusing on Rich is a video installation that juxtapose Ghanaian funeral music and dance with those of an African-American church service. Shin explores complex relationships in her life: she being Korean, having a partner who is African-American, both owning property in Ghana, both living in a predominantly African-American neighborhood, and the complicated relationship between African-Americans and the gold coast of Ghana which was the center of British slave trade. Co-organized with 18th Street Arts Center, Santa Monica.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2.1
The Future of Nations, Part 1
00:05:44
On view at UCR Sweeney Art Gallery from January 31, 2009 - March 28, 2009, Kyungmi Shin: Rich. This series has been created by guest curator Tyler Stallings as research for part two of The Future of Nations that will examine demographics, which will consist of a solo exhibition by Kyungmi Shin, and a group exhibition.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2
Your Donations Do Our Work: The Walk
00:01:11
Consisting of a new collaborative performance installation presented alongside the juxtaposition of past works, Suzanne Lacy and Andrea Bowers utilize clothing, fabric, simple public rituals, and community organizing to look at labor, class, race and gender. It is their first collaboration, and one that signals a re-engagement of younger generation with the legacy of a previous generation of feminist activists/artists. Collection point: bring your cast-off clothes and household items to Sweeney throughout the exhibition for their installation. Opening night price of admission: one bag full.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 2
Your Donations Do Our Work: The Little Box
00:00:35
Consisting of a new collaborative performance installation presented alongside the juxtaposition of past works, Suzanne Lacy and Andrea Bowers utilize clothing, fabric, simple public rituals, and community organizing to look at labor, class, race and gender. It is their first collaboration, and one that signals a re-engagement of younger generation with the legacy of a previous generation of feminist activists/artists. Collection point: bring your cast-off clothes and household items to Sweeney throughout the exhibition for their installation. Opening night price of admission: one bag full.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 1.2
Conversation with Fritz Haeg - Edible Estates: Attack on the Front Lawn
01:25:27
Co-Organized with the UCR Blakely Center for Sustainable Suburban Development, artist Fritz Haeg will discuss his project and book Edible Estates: Attack on the Front Lawn, http://www.fritzhaeg.com/edible-estates-book.html.
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SweeneyArtGallery Podcasts, Vol 3 : Issue 1
Like Lifelike Panel Discussion
00:49:34
This podcast features a Panel discussion with guest curator Brad Spence and artists in Sweeney’s Like Lifelike: Painting in the Third Dimension recorded at Sweeney Art Gallery.
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SweeneyArtGallery Podcasts, Vol 2 : Issue 3
Frenzy: A Discussion on China Now
01:29:05
The participants included Tyler Stallings, director of UCR Sweeney Art Gallery and curator of “Absurd Recreation: Contemporary Art from China,” Shane Shukis, assistant director, UCR Sweeney Art Gallery, Eliot Kiang and Karon Morono Kiang, co-owners of Morono-Kiang Gallery, and Sonia Mak, director of Morono-Kiang Gallery.
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SweeneyArtGallery Podcasts, Vol 2 : Issue 2.5
What Made the “Special Period” Special?: Cuban Artists during the Crisis
01:03:08
Carmen Cabrera-Álvarez presenting What Made the “Special Period” Special?: Cuban Artists during the Crisis at the Art from the Island Nation: Transnational Cuba and the Myth of Isolation symposium at Sweeney Art Gallery.
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